The black youth chatting with the soldiers on the left is probably Scipio's servant. Under the artistic conventions of the time, North Africans of high status, including Numidians, were generally depicted with European features. Details such as the banner with the initials of the Roman state situate the story in Roman history. Tiepolo, the greatest Italian history painter of the 18th century, combines dramatic gestures, grand scale, and classical architecture to tell his story of generosity and statesmanship. The Numidian king and general was so impressed by this act of clemency and the moral code behind it that he went over to the side of the Romans and helped turn the tide of history. Scipio could had had him sold as a slave but instead he sent the youth back to his uncle for punishment but laden with gifts. When Scipio learned the youth's identity, he chastized him for not obeying his uncle and staying off the battlefield. Massiva was captured by the Romans on the battlefied in North Africa in 209 BCE and brought before Scipio. ![]() As described by the Roman historian Livy (1st century BCE), the youthful Massiva was the nephew of Masinissa, king of Numidia in present-day Algeria who had supported Carthage against the romans commanded by Scipio Africanus (a Roman general so known because of his conquests in North Africa).
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